![]() The buttons light up in different colours to indicate the status of the slot they control. ![]() Pressing a pad on the grid launches the corresponding Clip in Live, while triggering an empty slot on an armed track starts a new Clip recording. Clip slots within this zone are targeted by the 8x5 button grid on the APC. Once the APC is connected and enabled in Live, a red rectangle appears in Live's Session View. ![]() A very useful addition is a pair of footswitch inputs, one of which defaults to triggering the selected Scene, while the other launches or punches-in the selected Clip slot. It feels gig‑proof, and the crossfader is a user‑replaceable module that bolts in from the bottom of the unit.Ĭonnection to the host computer is via USB (there's no old‑school MIDI output), and the APC's light show necessitates a mains connection from a low‑profile external PSU. The APC40 is smaller than I expected (which is a good thing), being exactly the same width as my Apple keyboard. The APC ships with a copy of Live Lite, but I imagine most people will use it with a full version of Live 7 or 8. The APC (Ableton Performance Controller) controls Live's mixer, devices and transport functions, but the key feature is the Clip Launch matrix, which offers mouse‑free orchestration of Clips and Scenes in Live's Session View. As a result, it enjoys tight integration and navigation within Live's user interface. The APC40 was co‑developed with Ableton and bears both company's badges. Perhaps the most talked‑about new piece of music technology this year, Akai's APC40 is a dedicated hardware controller for Ableton's Live software. Akai and Ableton have collaborated on the APC40, to bring tightly integrated, hands‑on control to Live.
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